At the Gates - _Purgatory Unleashed - Live at Wacken_
(Earache, 2010)
by: Pedro Azevedo (8 out of 10)
It has been written many times before that bands who quit while they
are still at the top of the game often enjoy an improved status for
years to come as a result. I have difficulty applying that to At the
Gates, simply because each of the four releases that followed their
debut EP remains at a level that to this day their myriad spawn has
yet to reach. In other words, and although I might have been proved
wrong at some point, I still fail to imagine a mediocre At the Gates
record eventually coming out.Having said that, with all the reunions going on out there, the risk
was (and still is) quite real that a lukewarm comeback might happen at
some stage. Either that or the mindblowing epitome of Swedish melodic
death. But since that may never happen, old and new fans alike at
least have this _Purgatory Unleashed_ album, recorded live at Wacken
with their standard line-up.The gig included virtually everything from their landmark and final
album _Slaughter of the Soul_ and its predecessor _Terminal Spirit
Disease_ -- "The Fevered Circle" from _TSD_ being the notable
exception. Their earlier work got less air time, as one might expect:
"All Life Ends" from their debut EP _Gardens of Grief_, "Windows" and
concert closer "Kingdom Gone" from _The Red in the Sky Is Ours_, and
"Raped by the Light of Christ" and "The Burning Darkness" from _With
Fear I Kiss the Burning Darkness_. This should hardly be news for
anyone who really appreciates this band, but there is not a weaker
track to be found. For some reason I found myself especially moved by
the older tracks, but the gig is impeccably performed and thoroughly
enjoyable from beginning to end.There are two reasons why I cannot award this record a 10 out of 10.
First, I don't like the timing of some of the drumming on their live
rendition of the pivotal "Blinded by Fear". Second, as a live album, I
fail to get any more out of the songs than the original versions
already gave me, which is the hallmark of a great live album. Yes, the
bass is more audible, and the older songs are brought up to a more
consistent, updated sound; but the band's controlled performance
lacked any truly great, defining moments that could really add value
to the already superlative studio versions. Essential metal, but not a
replacement for the original albums.
(article published 26/2/2011)
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