Some moments are rockier than others; "Ei Kahetse Midagi" contains a memorable rock rhythm that would not be out of place amongst the shitkicker death of Gehenna. Other songs, such as the rousing closer "Oolaul", are indebted to their black origins. Surprisingly, quite a few riffs could have been taken from Satyricon's glory days, whereas I would have expected latter day Satyricon to have a stronger influence.

Overall, I cannot say this is an entirely horrible album, but neither is it nearly as original as their hyperbolic, self-coined description. _Vere Kutse Kohustab_ may have been an excellent album, but this is hardly a must have. (Sorry!)