Overall, we're treated to memorable songs following patent modes and structure. Technically, it's uninspired compared to previous work, content to mimic idols (the instrumental "Phantoms" being a sullen parody of Maiden's "Transylvania") with plenty of self-referential exercise along the way. Yet this weakening of intent is what allows the album to stand above their last few outings. Taken as it is, there's enjoyment in such familiarity; the only answer to why they remain a viable entity.