My Dying Bride - _The Voice of the Wretched_
    (Peaceville, 2002)
    by: Pedro Azevedo (10 out of 10)
   
  
    
Nearly 75 minutes of live My Dying Bride, recorded between _The Light at the End of the World_ [CoC #44]  and  _The  Dreadful  Hours_  [CoC #55], is what _The Voice of the Wretched_ has to offer. No fluff,  no silly dialogues with the crowd, no  filler  material:  just  pure  My Dying Bride. Powerful live sound, an excellent choice of  songs  that embrace the entire spectrum of My Dying  Bride's  lengthy  existence, and a practically flawless performance  by  the  band  complete  this black bouquet of wretchedness. Classic studio tracks seem  to  expand in weight and majesty live, as the band perfects every riff and break and Aaron's vocals grow exponentially in terms of  demonic,  guttural power whilst becoming more confident than ever in terms  of  melodic, heartbroken melody. The track listing: "She Is the Dark" (_The  Light at the End of the World_), the  title  track  from  _Turn  Loose  the Swans_, "The Cry of Mankind" (_The Angel and the Dark  River_),  "The Snow in my Hand" (_TLtS_), "A Cruel  Taste  of  Winter"  (first  live performance of the track from  _The  Dreadful  Hours_),  "Under  Your Wings and  Into  Your  Arms"  (_34.788%...  Complete_),  "A  Kiss  to Remember" (_Like Gods of the Sun_), "Your River" (_TLtS_), "The Fever Sea" (_TLatEotW_) and the first track MDB  ever  wrote,  "Symphonaire Infernus et Spera Empyrium", which represents both the EP of the same title and its continuation, _As the Flower Withers_.  For  those  who know and appreciate the quality of MDB's music, this is an  essential purchase. Those yet unfamiliar with the band, consider this: what you will find here  ranges  from  brutal  outbursts  of  death  metal  to sorrowful and melodic passages, and I am yet to find a  band  capable of reaching the  level  of  doom  metal  excellence  My  Dying  Bride consistently showcase in their music. 10 out of 10, obviously. [David Rocher: "Beholding My Dying Bride live, as I did in  1995,  is  an experience indeed -- Aaron's incredible  vocals  and  charismatic  presence mesh flawlessly with the touchingly  forlorn  melodies  and  the majestic, powerful rhythmic assaults which My Dying Bride  have,  in time, learned to play so  impeccably.  The  most  striking  point  about My Dying Bride's first live recording, well over a decade into  their career, is the beautiful finesse with which it recaptures  the  textures, emotions and subdued intensity of their unique songwriting  -- from the distorted death metal influences apparent at the time of  the band's inception ("Your River", "Symphonaire Infernus  et  Spera  Empyrium"), to  the  more  resolutely  avant-garde  tones  of  _Turn  Loose the Swans_  (the  inevitable  "Turn  Loose  the  Swans",  "The  Snow in  My  Hand"),  right  over  to  the  sheer  beauty  of  their  mid-nineties meisterwerks (the magnificent "The Cry of Mankind"  and  "A Kiss to Remember") and their harsher latest works  ("She  Is  the  Dark", "The  Fever  Sea",  "A  Cruel  Taste  of  Winter").  Although  former  violinist  Martin's  presence  is  direly  missed,  Yasmin's  ivory-tickling  skills  grace  this  fantastic  recording  with  the  beautiful, typical atmospheres these wretched  Britons  have  always  been renowned for; in fact, in my humble  opinion,  this  impeccable  live  capture  of  the  Bride's  enchantment  only  falls  short  of  perfection owing to two anthems whose presence is cruelly missed  --  the monumental "A Sea to Suffer In" and  the  classic  "The  Forever  People". Not only does _The Voice of the Wretched_ easily  fill  the  previously vacant space left by a live recording to be in  My  Dying  Bride's  discography,  it  also  reveals  itself  to  be  a  totally  indispensable item in any melancholic, atmospheric doom/death lovers  CD collection."]
    
   
  
    (article published 3/7/2002)
  
  
  
  
  
 
   
   
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