Lyrics appeal to the senses, particularly in regard to color ("in a white gown she's clad / gone is her emerald green / her eyes now are grey / and turbulent silver") and though couched in Earth goddess / "mother" nature iconography, there is a distinctive feminist undertone (the virgin motif in the previous lyric, frequent references to fertility, a maternal protectionism toward the earth's flora and fauna) which is welcome in the largely testosterone driven extreme metal scene. A thoughtful and passionate, even eloquent, sophomore effort from this British Columbian import.