I am unsure to what extent Vera Agnivolok's Ukrainian and Israeli background have impacted on the music; but given the atavistic nature of neofolk, it would be extremely surprising if her origins had minimal impact. The lyrics are sung in Russian, although the English translations suggest a poetic edge to the lyrics. A variety of folk instruments are employed, and one of the members is enigmatically credited with playing "unusual instruments"; I have no idea what this could mean, especially as others are credited with utilising such esoteric instruments as an ice flute and stone cello!

The undisputed highlight of the album is "The Golden Skull", which despite its folk sound has an ambient bent through the creation of a repetitive yet mesmerizing melody, vaguely reminiscent of Mortiis' demo, only good. To conclude, an unusual yet welcome entry to the genre of neofolk.