Consider for a moment the triumvirate of Weakling, Ulver and, to a
lesser extent, In the Woods. If what could possibly be described as
the result of mixing certain characteristics of those bands with a few
other influences fails to spark your interest, then Wolves in the
Throne Room probably have little to offer you on _Diadem of 12 Stars_.
The rest of you may well be in for one of the best black metal
releases of the year.While they do use female vocals, Wolves in the Throne Room do not play
some kind of symphonic, gothicized, plastic-sounding black metal. This
is all very guitar based, with a lot of melody but still somewhat raw,
in the sense that it is not overproduced; a convincing instrumental
barrage powered by intense drumming and throat piercing shrieks.
Keyboards are used sparingly and remain firmly in the background for
the duration of the four lengthy tracks on offer.
These Americans are clearly fond of their long blastbeat passages, but
_Diadem of 12 Stars_ can still slow down into a doom crawl, change
into acoustic guitar mode, or allow the aforementioned female vocalist
to add an extra dimension to their aural spectrum. The blastbeats and
instrumental passages occasionally get excessively drawn out though,
which can become tiring. Wolves in the Throne Room never seem to be in
a "more evil than thou" mood however: their black metal has as much
evil in it as the forests and blizzards that probably inspire the
musicians. This results in an aggressive album that is still
unpretentious about exploring other musical paths, integrating
everything into a cohesive whole.
_Diadem of 12 Stars_ may not quite reach the same level of brilliance
as the best output of the trio I mentioned at the start of this
review, but that would hardly be a fair expectation anyway; _Diadem of
12 Stars_ has enough character and quality to stand on its own, and
promises a very interesting future for Wolves in the Throne Room.