The music can be primarily described as technical death metal deriving influences from a multitude of bands of both American and Scandinavian origin. Compositions swerve from rippling mid-tempo chugging and groovy-cum-core passages at times even reminiscent of Meshuggah's contorted rhythms (especially the stop-start riffage towards the end of the second track). All clearly delivered through an almost impeccable production. On the vocal department, the growler behind the mic faithfully delivers low-end, low-volume pig-grunts, quite reminiscent of Demilich's Antti Boman at times and Suffocation's Frank Mullen. Nevertheless, apart from some eyebrow-raising moments, there isn't much here that'd lift the album from the rest of the pile of death metal releases.