With a new album, titled _Gealltacht Mael Mórdha_, currently in its
finishing stages and about to come out on Grau Records, Irish
doomsters Mael Mórdha may very well be about to gain considerably
wider recognition for their work. But in due course that will be seen;
for the time being, it seems relevant to look at _Cluain Tarbh_,
released last year by Karmageddon Media, in anticipation of their new
effort.Mael Mórdha brand their music Gaelic doom metal, both for their use of
traditional instruments and also what the band themselves refer to as
"traditional Irish laments". There is also a considerable warlike feel
to much of their work. The result is reasonably distinctive; if there
was indeed some risk that they might come across as some other Irish
band's poor cousin somehow, they manage to avoid it. They add a layer
of Irish elements to their traditional doom metal that the more
doom/death oriented Mourning Beloveth do not; and their choice of doom
rather than black metal as a foundation for their sound also places
them in a different category from Primordial.
The music is clean sung throughout, their vocalist unafraid to take
chances by mixing the mournful tinge of traditional doom metal with
something of a more powerful 'epic' style and a few rougher segments
when the music picks up pace. One other element that is especially
prominent in their sound, accompanying the various moods and changes
of pace, is the very competently played piano. Other less common
instruments occasionally make their way into the music as well, but
they are well integrated and never overbearing (e.g. the title track
and the start of "The Man All Hate to Love").
With solid production values, there is little to be faulted in _Cluain
Tarbh_. Sure, there is some sporadic inconsistency in the vocal
delivery, and a few sections break the doom atmosphere somewhat, but
those are far from being show stoppers. There is also the issue that
some of the faster, more aggressive sections, while decently executed,
bring little to the table apart from reminding the listener that
Primordial do that better (albeit differently). Nevertheless, when
successfully interwoven with their doom metal, some of those segments
can also show that the concept is not altogether without its
usefulness.
At its best, when the singing really hits its stride and the guitar
and piano work show just how damn good these guys can be, _Cluain
Tarbh_ leaves no doubt that great things can be expected from this
band. Hopefully Mael Mórdha will continue to improve on their next
effort, in order to be able to claim a place among Ireland's finest
metal exports. _Cluain Tarbh_ is certainly a good start, and the most
enjoyable variation on traditional doom metal I've heard in a long
while.