Irish doomsters Mourning Beloveth created quite possibly the best doom
metal album of 2003 with their last effort, _The Sullen Sulcus_; so it
was with bated breath that I played its follow-up _A Murderous Circus_
for the first time. The band's doom/death is now somewhat less reliant
on the sheer heaviness of their guitars -- which never made up any
great majority of their arguments in the first place, but the band has
explored slightly different ways of doing things this time. This
change may also be due to the fact that they have opted for a German
studio in place of the famous Academy studio in England.Opening track "The Apocalypse Machine" starts in a truly remarkable
way, the first few minutes consisting of such a superb slab of doom
metal that you are forced to expect a masterpiece from then on. Then
it goes away for a while into less remarkable territory, before
returning midway through its duration with a different passage that is
nearly as great as the first. Finally, it goes back to a relatively
catchy, but inconsequential riff for what seems like a very long time.
Unfortunately, _A Murderous Circus_ occasionally buries some of its
finest moments amidst a newfound tendency to indulge in slow,
repetitive, but not exactly heavy or doomy riffs. The main problem is
that these riffs are just too simple to have much effect without some
crushing distortion to help them. Mourning Beloveth manage to go into
semi-acoustic mode several times and get away with it very well indeed
-- but this sort of riffing that they resort to on occasion is neither
emotional nor crushing, and simply stands in the way of the songs
getting to where it matters. Having said this, there aren't that many
weak sections, and it is mostly the excellence of the passages they
enclose that makes them stand out more. For the most part, this is a
very solid album, with some great atmospheric moments (e.g. the nearly
twenty minute long "Nothing (The March of Death)"), some great doom
metal and only a few (unfortunately sometimes long) parts that are
comparatively poor.
Despite its slight shortcomings, I still recommend _A Murderous Circus_ to
every doom metal fan out there, simply because it contains some of the
very best doom metal you will hear this year. Mourning Beloveth have
refused to simply produce more of the exact same thing, and credit
must be given for trying new things within the same general blueprint.
If they can build upon the best bits of this album and chuck out the
rest next time around, then _The Sullen Sulcus_ -- along with plenty
of doom metal classics -- will be beaten. For now, they haven't really
disappointed with _A Murderous Circus_, but I believe they can do even
better than this in the future.