"I am  a fan  of live records",  admits Cannibal  Corpse growler George "Corpsegrinder" Fisher down the line from his home in Florida. "I think they are cool to do. We  were just on tour and we decided to record. It  wasn't like we decided  to do a special  show or anything like that."
 Unlike many  other bands out  there who would think  twice about recording something  live and  dealing with the  sound and  what have you, Cannibal Corpse jumped at the opportunity to do one. "I think we truly captured  the live  experience of  seeing Cannibal  Corpse with _Live Cannibalism_.  There are no  overdubs on this record.  If there are  mistakes  on this  record,  then  they  are  there. I  think  it represents us in  a live capacity extremely well.  Everyone who seems to hear it thinks it is a good live disc. We're flattered people feel that way  about _Live  Cannibalism_. This  is a  real live  record. I think the  success of this  record comes from  the fact that  we took this live recording for what it was. We didn't go back and fix stuff. I think we played fairly decent, but nobody is perfect and there will be mistakes.  I like that  whole feeling of  the record, of  us being recorded at a  certain time and just playing the  music the best that we could."
 Seeing  that reviews  and feedback  of  the new  disc have  been rather strong, would the band -- rounded out by bassist Alex Webster, guitarists Jack Owen and Pat O'Brien and drummer Paul Mazurkiewicz -- ever consider doing  another one? "You never know. We'd  just have to do  a whole  lot  of different  songs  on  the next  one  to make  it different from what you got here.  We wouldn't rule out doing another live recording."
 A lot of people have been fans of the band since their inception more  than a  decade ago,  rabidly  following the  band through  such classic records as _Eaten Back  to Life_ (1990), _Butchered at Birth_ (1991) and _Tomb of the Mutilated_  (1992), as well as embracing both original  singer Chris  Barnes (who  now fronts  Six Feet  Under) and Fisher, who replaced him. Why the live record now? Why did it take so long? "Metal Blade has been talking about it for a long time and many fans were  asking us at the  shows about possibly doing  one. I think fans are seeing Deicide and Morbid Angel putting out live records and they wanted us to do one. We  thought about it and heard the feedback from fans and  we took it into consideration. The  main reason we did it was  because the fan feedback  stated that they wanted  one. So we did. You have to  listen to the fans. That is the  main reason why we are here. We are here because we love to play music and to play death metal and they support us. Why not give them what they want?"
 And  about the  live  record experience,  was  the process  fun? "Playing  death metal  live  is  hard to  capture.  Contrary to  some people's beliefs, it  is an extremely challenging form  of music. You can easily capture simple riffs <he hums a few riffs at a slow pace>, but  when you  have  a song  like "Dead  Human  Collection" with  the complicated riffs, you really have to  pay attention to making it all come together. I  don't care what anyone says, I  think we captured a good flow  of what a  Cannibal Corpse show is  like. We knew  we were recording, but  you put  that in  the back  of you  head and  let the adrenaline take over and let the rush of things just take charge. The crowd just gets really into it all and you just go for it. It was all like a real show, except I had to do some sound checks, which I never do because I  like to keep my voice  raw, but I had to  get all their sounds levels  set. Plus  they had cameras  also following  us around [for the live video/DVD  of the same name] and that  was just in your face all  the time. They were  filming me shaving and  it was fucking nuts. They  had all this behind  the scenes stuff of  talking to fans and sound checks and that was just bizarre. That was hard to get used to. Once the tapes were rolling and  the cameras were on, we just did our thing."
 And in closing,  I ask, "Any favorite live  albums, George?" "Oh yeah. _Unleashed in the East_ by  Judas Priest is probably one of the all-time greatest  live records ever put  out. I also like  the Sodom live  disc they  put out  a while  ago, and  of course  Iron Maiden's classic _Live After Death_. I also  think the live Decide disc [_When Satan Lives_,  from 1998] is great  too. Glen Benton's vocals  are so fucking powerful. He fucking rules."