"The Spectre" in particular is a well written black metal song: an instantly memorable yet melodically basic guitar riff plays counterpoint with a lulling synth line, blast beats phasing in and out the track's progressive structure. "Battle With the Gods" has a nifty guitar riff that hints briefly at an acoustic interlude before launching full scale back into the breach.

Neither technically proficient nor brazenly sloppy, Mor-Zaboth focus on the basics and work to their strengths, which are a flair for good (if not great) songcraft and a cohesive band chemistry. Look to hear more from these guys in the future.