Weird just got a whole lot weirder with this second full-length from
The Axis of Perdition. Its predecessors (_The Ichneumon Method_ and an
EP titled _Physical Illucinations in the Sewer of Xuchilbara_) already
were more than a little on the odd side of things, but _Deleted Scenes
From the Transition Hospital_ far exceeds them in that respect.
Apparently inspired by Lovecraft and the "Silent Hill" series of
games, _DSFtTH_ mixes cold, futuristic black metal (including a very
obvious drum machine) with industrial-tinged, deranged atmospherics.
The catch is that the emphasis is actually more on the atmospheric
side of things this time around -- which is a risk not a lot of bands
tend to take in this genre._DSFtTH_ certainly tries its damnedest to provide anything but an easy
listen. Dissonant guitars (occasionally bearing a vague resemblance to
some slower sections of present day Blut Aus Nord), pretty insane
vocals and unnerving noises abound throughout the album, and no effort
is made to captivate the listener with catchy riffs or breaks. There
is not even any real emphasis on instrumental aggression. In other
words, it is pointless to go into this sonic hallucination with any
conventional musical expectations; The Axis of Perdition simply refuse
to cater to any of that. On a couple of occasions, hints of recent
Ulver can arguably be found (the end of "Pendulum Prey" and the whole
of "One Day You Will Understand Why"); those moments of respite stand
out from the surrounding madness, and to my ears that is when the
album is at its best.
While the extensive atmospherics succeed in being quite creepy most of
the time, they fail to retain the listener's undivided attention for
long periods. Similarly, the metal sections, where broken riffs meet
mostly abstract vocals and matching synthetic rhythms, are generally
interesting on a conceptual level but have little replay value. In the
end, _DSFtTH_ tends to be a good album to play in the background while
you're doing something else, but a chore to sit through otherwise.