Paradoxically layered and minimalist, easy categorisation beyond vague and unhelpful terms such as "electronica" is near impossible and not worth attempting. Stirring neoclassical strings dominate alongside Garm's potent vocals, which continue to improve with each successive release. On "Vowels" he attempts some sort of pseudo-operatic style, with the passion and strength black metal bands can only dream about. Electronic beats -- which I usually despise with a passion -- succeed as they tend to be evocative rather than danceable. A remix of "Nattleite" off _Kveldssanger_ ends the album, and for the first time they have attempted a rework of material from their black metal period. Ironically, it is considerably harsher then the original. Try as I might, I could not find any flaws -- at best it could be said to be too short.

If _Nattens Madrigal_ was the ugly face of Ulver, then this is its very antithesis; an ethereal and eerie album absolutely beautiful in its stark simplicity. Easily Ulver's finest since the excellent _Perdition City_.