Mütiilation - _Vampires of Black Imperial Blood_
(Drakkar Prod. Vinland, 2001)
by: Alvin Wee (8.5 out of 10)
It's paradoxical how elusive this album has remained despite its status as a flagship monument of the French underground. Pioneering the raw and primitive, yet bewitchingly melodic French sound, the original Drakkar issue of _Vampires..._ has thus far only been available for cutthroat prices to many dedicated followers (the second, ridiculously limited vinyl run of 100 copies on EAL not helping either). A fitting release to mark the debut of Canada's new Drakkar branch, showcasing the label's expected penchant for all things grim and primitive. Packaged in a suitably minimalist setting, _Vampires..._ retains a strong thread of guitar melody through the harsh cacophony of dungeon-esque soundscapes that make up Mutiilation's repertoire. It isn't hard to see how this classic work has influenced bands like Warloghe and Judas Iscariot, and _Vampires..._ easily puts the majority of the neo-black metal scene today to shame. Even in comparison to the _Remains..._ album, Mutiilation's earlier work shines with a raw passion that elevates the material from mere buzzing monotony to a masterpiece of infernal ambience. Hints of Darkthrone (circa _Transilvanian Hunger_) surface on tracks like "Tears of a Melancholic Vampire" and "Born Under the Master's Spell", but always with a characteristic Mutiilation acerbity that might be attributed to Meyhnach's caustic vocal desecration. Drakkar Vinland's packaging values pale beside EAL's brilliant rendering of the album as a double-LP set; still, I wouldn't expect the 500 copies of this to last very long at the distros anyhow.

(article published 14/1/2002)


RSS Feed RSS   Facebook Facebook   Twitter Twitter  ::  Mobile : Text  ::  HTML : CSS  ::  Sitemap

All contents copyright 1995-2024 their individual creators.  All rights reserved.  Do not reproduce without permission.

All opinions expressed in Chronicles of Chaos are opinions held at the time of writing by the individuals expressing them.
They do not necessarily reflect the opinions of anyone else, past or present.